Tag Archives: Easter

Abortions, 3000 per day and yet we do not shut-down our Churches, our Jobs, or our Lives. Fear is now in control, or some would say…Satan is in control. Easter is full of pain and offers us all salvation.

By George Dunlap, April 7, 2020. Waking up to a world of confusion and unknown, I am challenged to understand the math, to-date we (no death is to be minimized) have lost over 10,000 Americans to the Coronavirus and to-date 294,00, unborn Americans, are killed by the hands of fellow Americans. Fear is now in control of our lives; our feelings, and our faith. We have shut the doors to our Churches because of the FEAR of catching the Virus, but we turn our heads by the screams and crying of 3,000 babies being killed every day. I suggest we have lost our faith and hope. The only weapon is truth, payer, and accepting our sins. What do I suggest? First a return to our trust in God, return to Praying the Rosary daily, and a stronger faithful effort to being fully Catholic. We as Catholics must, be the example, not to be seen as a herd of Fear driven sheep.

Please pray for our souls for we have Lost our Way this Easter Season. The Cross is our path to salvation. It is full of pain and sorrow and it is the branding that transforms us to be with God.

Christ Crucified – Velázquez

George Dunlap, Good Friday, April 19, 2019

I am starting a post on Christian classical art; in beauty we have hope in Christ. I trust you will enjoy some of my selections and the history of the paintings and artists. Wishing you and your family a Blessed Easter.

The Spanish Golden Age stands as one of the richest and most bountiful eras in history for art, and amongst all of the artists who contributed to it, Diego Velazquez will surely rank as being amongst the most prominent.

Born in 1599, Velázquez was one of the court artists of King Philip IV and crafted a wide range of masterpieces throughout his career. Many of his paintings were portraits of sixteenth-century Spanish nobility, and thanks to him, we have an array of brilliant snapshots into what courtly life of this era looked like. To glance at one of Diego Velazquez’s paintings is to be transported into a bygone age.

Not all of Velazquez’s paintings depicted contemporary scenes. Like most Western artists of his era, Velazquez had plenty of experience in portraying religious subjects. A number of his canvases depicted scenes of beatification, attempts to portray the divine in all of its sumptuousness.

With “Christ Crucified“, however, Velazquez took the opposite approach. The painting is pared-down and understated. There is no background, merely a dark area with a few token shadows to help emphasise the central figure. The cross itself is plain and unadorned, the delicate details – such as the grain in the wood – serving only to emphasise the everyday nature of its materials.

Christ himself is similarly unadorned. Velazquez makes no attempt to portray the agonises of Christ’s passion, and simply shows the Messiah’s head bowed. His hair runs, like blood, down his face.

The only hint of the divine about this largely unclothed figure is the halo – and even that is relatively modest, a subtle cream-coloured glow. We are asked to look upon this figure – to behold the man – and contemplate his very physicality – his flesh, his hair, the thorns of his crown, the cloth of his coverings, the iron of his nails. The image is composed with geometric evenness and neatness, an understated structure which provides a startling contrast with the significance of the subject matter.